Wednesday, November 28, 2012

Metis Is Spared



Metis, the goddess of wisdom and cunning skills, sits on the edge of the Aegean Sea and whittles away at drift wood; her knife a razor clam shell. She carves all the creatures of the sea: turtles, dolphins, crabs, and seahorses. Little figurines pile up beside her as the waves come in and recede; turning the gray stone black: sunfish and starfish and eels like thick strands of kelp. The little shavings tumble at her feet and collect in the tide pools like apple blossoms. Her carvings keep her company. They do not become the real fish of the sea but sit beside her; gently watching the tides rise. She does not enchant them to grow scales and webbed fins. The crabs are not brown and red but stay remain cool and colorless; if anything, they bleach in sunlight. They become white like marble , like the tops of waves.

She is not bothered by anyone on this lone island. It is just the figurines with their pearly eyes and herself. No one wants schematics to thunderbolts or weapons of mass extinction.  She hears nothing but the content motion of sea spray against rock. She has hidden herself away and no one can find her.

And yet here comes Hecate in a boat of silver and stars. She has been given dominion over the sky, land, and sea and she knows where Metis is. The sun casts its rays upon the water and they shatter it into a thousand pieces of glass. Hecate sails through the sea black and white gold silently as a specter, as a wraith.  

“Dear Sister,” Metis says as she cuts into a crab’s basswood back.

“I come baring news of the war,” Hecate replies and steps from her gilded boat and onto the black rocks flecked with algae like moss.  

“Is it over? What has happened?” Metis stands to greet her sister with arms wide as the gray horizon.

“It is and we have lost,” Hecate says and Metis knows she will stay on this island from now onto forever, “He has spared a number of us from the world below the underground. You may stay here on these islands and that is better than the abyss and darkness of Tartius.”

They both breathe sighs of relief. The war is over and they have been spared. The world has shifted, reformed, levels upon levels; a hierarchy made of unmatchable force.

“I have been given all things her on earth,” Hecate says as she slips back into her boat, “and I will tell our daughters our story. Persephone will listen. Artemis is strong. We have not lost everything. There is still hope.”

She watches her sister disappear over the waves; a shadow in the light of day. She wants to feel for the mighty Cronus, the many headed, thousand armed Hecatonchires, and the all-seeing Cyclopes but she cannot. She has been saved from eternal damnation and she will use her time sagely; just like she has always done.

She reaches into the ocean and draws up another piece of sun-whitened wood. She beings lathing away at its already smooth skin. Under her hands and the edge of that amber colored clam shell she forms the body of Typhon: the great and terrible beast that sleeps beneath the waves of that primordial sea.

Tuesday, November 20, 2012

The Lunacy Project: November

While I continue to work (and struggle) with my current novel I wanted to give y'all a taste of this months Lunacy story. I'm very proud of it and think its one of my best. So in hopes that this will spark your desire to buy the story ($5/$3) I'm giving you, dear reader, a look at the first paragraph. I hope you find it interesting and want more. Enjoy.

**********************************************************************************

     It rolled through every street, down every avenue, and spread itself thickly across the hillsides and vase rolling plane of farmed land. Its density was reported by a weather woman with tawny brown hair, like a sparrow feathers, who stood in front of a map that showed the city and surrounding areas. It was all covered in  thick gray clouds. She genitally cautioned the public to dive safely and to plan accordingly. Those who could afford it called into work; the less fortunate carefully meandered to their jobs. Lights on the tops of trucks and buses flashed like magnesium fireflies in the soft haze of the spectral fog.
     The weather professionals said it would dissipate by noon like ice in April. It did not.

**********************************************************************************

Want the rest? It's only $5.00. ($3.00 for PDF) Follow the link here to sign up for this month (or a whole year). Please sign up today or by Sunday (11-25-2012) for this months story. I will be shipping them out on Monday to ensure they will arrive in your mailboxes on the full moon.

A Lunacy subscription not only gets you one story a month but supports me in my efforts as an aspiring author. You can buy them month to month or get a year long subscription. It's up to you. Short story are great. They don't take weeks/months to finish reading as full length novels can and you still get the experience of a full length story. They can made great 'Treat Yo Self' gifts or a simple anytime gift for the reader in your life. Year long subscriptions are a great Christmas presents or that something fun you look forward to each month. So bring some cheer into your life and help support an author get his feet on the ground.

Thanks for all your love and support.

Sunday, November 18, 2012

Skyfall Review: Shadows of the Past



As soon as Mr. bond went over the waterfall and is dragged underground in the opening credits, in which we hear Adele’s brassy and classic bond-themed song Skyfall, I thought Oh. This is going to be a katabasis, a descent and a return. But as we kept going underground, through tunnels, London’s subway system, WWII bunkers, over dark waters, and into the desolate misted hills of Scotland, I was waiting for the return, that light at the end of the tunnel. But it never happens. 

The themes of Skyfall come right out of the seventh house in astrology and the sign of Scorpio: death, sex, additions, ageing, and the past. All of these are played to their fullest and are cast in shadows and the color blue. Even the fight scenes are filled with mirrors, sharp over-the-shoulder angles, and shadows. In a Shanghai high-rise the gun shots and smashing of windows is acted through the dark of night and electric blue projections of fiber-optic tendrils and a luminescent jellyfish. James Bond (Daneil Crige) and his foe Patrice, played by Ola Rapace, are silhouettes of themselves fighting in the dark, lending to an almost theatrical display of armed combat.

Of course what would a James Bond flick be without the women. Judi Dench once again plays the motherly M. She is first and foremost the head of MI6 and plays her stochastic, emotionless self to the T, making the hard decision for the safety of England and the world with every turn. As the film progresses and the plot keeps its metaphoric and literal downward path, her hard-edged resolve is slowly melted away, as if all the films watery filled scenes attempt to wash away at her steadfastness while remnants of the past are reviled. Her performance is great and for being 77 years old and still captivating the audience, I say You go girl!

Naomie Harris (Pirates of the Caribbean: Dead Man’s Chest) plays second fiddle to bond throughout the film and I wish she would have had I bigger role. She is a strong, graceful, and quick witted agent who acts as flirt and support for bond in several key scenes. She delivered her lines well and held the audience’s attention through high and low parts. I look forward to see her kick ass and hold her own in future films. The lovely and lithe Sévérine, played by Bérénice Lim Marlohe, is perhaps the stereotypical bond girl: Pretty and doomed play a part in the villain’s plans. Sévérine is more a prop than a character. Even her dresses plays up the fluid nature of the films, skin tight and shadowy evening gowns detailed with black curling designs.  

Javier Bardem (Eat Pray Love, No Country for Old Men), is Silva. He’s smooth like a snake and just as cunning. His blond hair and eyelashes and clay like face lean towards the grotesque. He is one good villain with just the right amount of crazy which makes his one step ahead of MI6 plot that more thrilling. Even in the end, with his final encounter with M, his dialogue rips at everything the film has been digging down towards.

Skyfall is classic James Bond, drawing from the old Bond mythos in every way: cars, women, martinis (shaken), bullets, and exotic locations. But all the tropes don’t bore you with the clichés. There are plenty of explosions, car chases, close calls —sometimes all in the same scene—to keep you on the edge of your seat the whole time. Don’t expect to come out on top with waving Union Jacks. This is a darker side of the bond story. It is a ride through the past, through fog and shadows and I highly recommend the trip.

Tuesday, November 13, 2012

New Moon, New Names, New Projects

Happy New Moon Everyone.

So as you know these last few weeks (if not months) has been a very big transitional period for me. Graduation, then all the shifting duty’s and attitudes around the farm, not to mention the ever present changing of the seasons, then that ended and I moved back to Lakeville. That's a lot for less than seven months. Now I’m looking for a job in the non-profit sector as opposed to agriculture (still wondering if that’s the right choice). On top of all that, I’m really trying focusing on the writing, which if you are reading this blog, I do truly thank you.

With all of these changes I feel the need to renovating and reconstructing my public identity. I’ve been published under Charles Grabuski in the Roaring Muse, The Naked Feather, and the short story The Illumination of Queen Bees (P.S. there are only two copies left). I have an urban occult story out for consideration from Anarchron Press in the UK under then name Charles Joseph Grabuski. I really hope that one will get published cause that would be awesome. Send some prayers and energy my way. But my full name sounds to clunky. It’s a bit long and I’d like something a bit more condensed; a byline that maybe sounds and looks a little more authorial.


In the new moon light (or absence thereof) I’m choosing CJ Grabuski as my new byline. I like it. It’s quick, to the point and retains my last name which I truly do love. Future husband, please realize that I will be keeping my last name but will consider hyphenating.

With this new name, I’m also switching email addresses. I’m keeping my university e-mail (grabu004@d.umn.edu) as my main/professional address but for the writing, the short stories, and The Lunacy Project, I’ve created cjgrabuski@gmail.com. Either will be ways fine ways of contacting me. The website is currently under development as I construct something more professional than the Google site. I’m keeping it up and running for now seeing how I’m trying to stay focused on the writing aspect of the whole thing. In fact, besides sending off three resumes, I've started a novella today.

Speaking of the New Moon: there’s just over a week left to sign up for this month’s story (or sign up for a whole year if the spirit moves you). This month’s story is really good. I’m really proud of it. I hope you in turn will find it just as good.

NEW PROJECT
Kailey Mo Becker is an amazing graphic designer and dear friend of mine and together we have created the Ten Words or Less project. Simply put, I’ve written little phrases from various stories I’ve gotten published or put up on the blog. From these ten words (or less) she creates beautiful pieces of art. She has a passion for typefaces and a keen eye for fresh design. If you like them, like the page, share it on your wall, tell your friends. If you would like a print,  please let either her or me know by shooting us an e-mail. They are 6inx6in so keep that in mind. We are currently working out printing and pricing options. There will be a formal page on each of our websites once things are finalized. In the mean time check back often for more updates on the project. Thank you for your support.

Tuesday, November 6, 2012

Cloud Atlas Review: Time for Love



*audio recording here*

Every November 5th I start off with the intention of watching V for Vendetta. I’ve seen it maybe a dozen times and it never gets old. Perhaps that’s because the films central message is that ideas can never die. That’s a powerful message for sure. It’s true and harsh and beautiful. But I think I might have found a movie for November 6th: Cloud Atlas.

I went to the theater last night with my dearest friend Kailey Mo Becker. I hadn’t seen her in almost 9 months and it was so wonderful to see her again. Once the movie started it took me a while to figure out what was going on exactly, in fact it took most of the 2 hours and 50 minutes. There are several main plot lines spanning four hundred years of history, many of them overlapping. But it was fun trying to fit all the shifting pieces of the puzzle around and put them together. This movie definitely requires you to use your brain, and for that I am glad. During the first half I was attempting to find the plot line for each of the stories while trying to figured out how they are all connected through time; and ultimately through love.

The acting was superb. Halle Barry plays several prominent roles as is completely redeemed for that whole Cat Woman thing. Tom Hanks (Castway, Lost in Translation, Larry Crowne) stars in just as many roles and displays a wide array of talents as an actor. Timothy Broadbent (Mulan Rouge, Harry Potter), Jim Sturgess (Across the Universe), Ben Whishaw (Skyfall), and the lovely and powerful Susan Sarandon ( Alien, Avatar, Political Animals) all performed so well in there many roles. It was a wonderful experience to see all these amazing actors play so many uniquely different roles throughout the various plot lines.

It is sort of serendipitous that I had a conversation with my parents the other night about reincarnation. My stance is (was?) that it really doesn’t matter. Past lives, eh, you can make that stuff up. You know how it ended. But if you look at the cyclical nature of things i.e. the water cycle, the carbon cycle, bird and fish migrations, the turning of the seasons –that sort of thing- then yes, I’m pretty sure we, our souls if you will, go through some sort of recycling/reincarnation thing. And that’s cool but there isn’t much I can do with a past life. I’m here now, doing my work, living this life. I have different objectives than I did in a previous life, different cells, different genetics, and different experiences. The only thing that truly matters in being the best person I can be today.

So what I loved what most about Cloud Atlas was this idea that those whom we love and those who we hurt get carried with us throughout our lives. Our circumstances change. The time we live in today is different. The technology advances but the essence, the souls of those we impact, get carried with us through time and space. It’s beautiful really. If not real than profoundly poetic to the point that its message can only aid us in our understanding of how we relate to each other. I’d like to think of the people who I’ve met in my 23 years of (this?) life that as people whom I’ve met before (maybe this is why I say “See you later” instead of “Good-bye”). Maybe my best friends were past lovers. Maybe they were family members who I had a grudge against. Bullies I elementary school were once co-workers or bosses. Friends of today and tomorrow might be my brothers and sisters in some distant future.

“From womb to tomb, our lives are not our own. We are bound to others, past and present, and by each crime and every kindness, we birth our future.” Sonmi-451.
-David Mitchell, Cloud Atlas

It’s nice to think that with all the chaos life can bring and all the transformations around us (environmental, political, economic, temporal and special) that there is a tethering –a bond of love -that we carry with us as we live and move and have our being. That no matter what happens after we pass over, if this reincarnation thing is true, if we get recycled and get to experience the joys and sorrows of an earthly existence once again, that we are still bound to one another indefinitely. In love, in pain, through it all, we will find each other time and time again.

This is most profoundly felt when Sonmi-451 (Donna Bea) is being interviewed by the Archivist, played by James D'Arcy (An American Haunting, Master and Commander) towards the end of the film. This is when all these plot lines and all the threads from all the different stories finally come together, Sonmi-451 is asked if she fell in love with Hae-Joo Chang (Jim Stuggess). She says she is still in love with him, would always love him. We are shown their love does not transcend time but flows through it, with it. We see every incarnation of their love through time. It was beautiful and lovely and yes, I cried a little.

So I think the lesson her is be kind to one another. Love one another unconditionally. Freed or enslaved. Love with all the open space a heart can have, which is, as big as whole of time.